Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site brl-tgr.ARPA Path: utzoo!linus!philabs!cmcl2!seismo!brl-tgr!tgr!DBarker@his-phoenix-multics.arpa From: DBarker@his-phoenix-multics.arpa (Deryk Barker) Newsgroups: net.music Subject: CD reviews Message-ID: <8342@brl-tgr.ARPA> Date: Wed, 20-Feb-85 10:23:51 EST Article-I.D.: brl-tgr.8342 Posted: Wed Feb 20 10:23:51 1985 Date-Received: Sun, 24-Feb-85 04:19:32 EST Sender: news@brl-tgr.ARPA Organization: Ballistic Research Lab Lines: 61 Having just purchased my Boothroyd-Stuart Meridian CD player (pity I don't have an amp to do it real justice) and almost worn my initial purchase of disks out here are a few comments. Ry Cooder: Bop Till You Drop. The first digital LP I bought. Material is first rate as is playing and (mostly) recording. An A-B comparison shows that the CD has more space in it and more detail all around. Worth the purchase. Brahms: Symphony No. 4/Tragic Overture. VPO/Bernstein. Fine (if not outstanding) recording. Ditto performance. Apparently the least controversial of his 1982 live(ish) et of the Brahms symphonies. N.B the first versin I had of this had two bubbles in the coating of the playing side and my player went bananas trying to track around them; replacement version fine. Elgar: Enigma variations/Pomp and Circumstance marches nos 1 & 2/March of the Mogul Emperors (from Crown of India). BBCSO/ Bernstein.) Aha! Surely the most controversial version of the Enigma ever recorded. Definitely not to be recommended if you do not already have at least one other version. Bernstein makes the most outrageous points of emphasis - Nimrod lasts for well over seven (yes seven) minutes. However - if you can take his tempi it's a very well played and recorded performance - you can actually hear (and almost feel) the organ in the finale for once. The marches are fine - no controversy at all here. One to hear before purchase. Mahler: Symphony No 1/Philadelphia O Muti. Very well recorded version. I cannot say it's the best interpretation I've ever heard (I have 9 LP's of this work already) but holds its own against most of the competition. Certainly beats the new Solti (the only other CD apart from the Japanese pressing of the CSO/Walter?) into the proverbial cocked hat. Very nice to hear the finale literally explode from silence. Mahler: Symphony No 6/5 Ruckert Lieder/ Christa Ludwig, BPO Karajan. Remastered from the 1978 analogue symphony and 1975 analogue lieder. And remastered very well I shoudl say. Ludwig sings, and is accompanied, beautifully in the lieder - very atmospheric recording. The symphony - ah the symphony. This is surely THE recording of this tragic masterpiece - puts all other known versions in the shade. A comparison between the original LP (which I have had for a few years) and the CD reveals finer detail on the CD with no lossage anywhere. The cowbells in the finale are magic, and I've never heard (apart from in the concert hall) the hammer blows in the finale sound so dead and final - not a triumphal special effect as can so often be the case. Later versions maybe better (digitally) recorded - I can't say as I've not heard Tennstedt's recording but I have heard a live relay of his interpretation and it STUNK - but as an interpretation this beats them all. When, oh when, is Karajan going to record nos 1, 2 and 8??? My overall verdict CD - OK! (Now when I am I going to be able to afford those Japanese pressings of Walter's Mahler, Furtwaengler's Brahms and Beethoven etc.?)