Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84 exptools; site ihu1m.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!ihnp4!ihu1m!gadfly From: gadfly@ihu1m.UUCP (Gadfly) Newsgroups: net.music.classical Subject: Re: Gotcha!s Message-ID: <314@ihu1m.UUCP> Date: Wed, 20-Feb-85 15:08:45 EST Article-I.D.: ihu1m.314 Posted: Wed Feb 20 15:08:45 1985 Date-Received: Fri, 22-Feb-85 20:25:40 EST References: <3397@alice.UUCP> <4957@ucbvax.ARPA> <1045@ihuxp.UUCP> Organization: AT&T Bell Laboratories Lines: 17 -- Orlando Gibbons's "Cries of London" is about a ten-minute choral work in two parts. Part I has an unfortunate coda of "...and so we make an end." with a very lovely cadence that must get a chance to die away. After 5 minutes, of course, even a sophisticated audience thinks it's the end of the piece (few secular Renaissance pieces go longer), no matter how expectantly the performers wait to restart. Gets 'em every time! Lo and behold, there is a Part II that really ends it ("...and so good-night."), though the truly final cadence is not nearly as nifty. -- *** *** JE MAINTIENDRAI ***** ***** ****** ****** 20 Feb 85 [2 Ventose An CXCIII] ken perlow ***** ***** (312)979-7188 ** ** ** ** ..ihnp4!iwsl8!ken *** ***