Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site lcuxc.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!pyuxww!lcuxc!wjm From: wjm@lcuxc.UUCP (B. Mitchell) Newsgroups: net.music.classical Subject: RE: Live performances Message-ID: <270@lcuxc.UUCP> Date: Fri, 22-Feb-85 21:14:42 EST Article-I.D.: lcuxc.270 Posted: Fri Feb 22 21:14:42 1985 Date-Received: Tue, 26-Feb-85 07:30:44 EST Organization: Bell Communications Research, Inc. Lines: 17 Frankly, despite having a reasonable hi-fi system, I still feel there is no substitute for a live performance. Fortunately, I live fairly close to NYC so I can hear most of the world's great orchestras when they are on tour in one of the world's top concert halls (Carnegie Hall). (Yes, I agree with the opinion that Boston's Symphony Hall is in the same league - I spent many pleasant evenings at the BSO and the Pops when I was living in Boston - it was a pleasant escape from my graduate EE studies at MIT.) There is something about a live performance that even the finest recording cannot reproduce - you are THERE and can devote all your attention to the musicians and the music they are making-no distractions or temptation to walk across the room and read, computer hack, etc. (also no phone calls or other distractions) There is also a certain energy in a live performance, which only direct-to-disk recordings capture. Somehow the knowledge that bloopers can be removed in the editing does something to one's perfomance. Regards, Bill Mitchell (ihnp4!lcuxc!wjm)