Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site sphinx.UChicago.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxb!houxm!ihnp4!gargoyle!sphinx!shor From: shor@sphinx.UChicago.UUCP (Melinda Shore) Newsgroups: net.music.classical Subject: Re: Music Majors Attention - Question For You Message-ID: <209@sphinx.UChicago.UUCP> Date: Mon, 25-Feb-85 12:04:27 EST Article-I.D.: sphinx.209 Posted: Mon Feb 25 12:04:27 1985 Date-Received: Wed, 27-Feb-85 08:02:53 EST References: <949@hound.UUCP> Organization: U. Chicago - Computation Center Lines: 22 > From: rfg@hound.UUCP (R.GRANTGES) Message-ID: <949@hound.UUCP> > She was taught that as a musical > person it was her duty to avoid phonograph records and artificially > reproduced music. My question is (music majors please note), do they > still teach that sort of s*it in music schools today? No, at least not when I was in a music (theory) major ten years ago. We were strongly encouraged to listen to as much music as possible, live or otherwise. Live music was preferred, but not to the exclusion of all else. This was in Ithaca, NY, so there wasn't much live professional music, though there was lots of good amateur and student music. Given the difficulty of making a living as a professional musician, I'm not surprised that your friend's professors were encouraging her to support live music, though it certainly sounds like they went a bit overboard. -- Melinda Shore University of Chicago Computation Center uucp: ...!ihnp4!gargoyle!sphinx!shor Mailnet: staff.melinda@uchicago.mailnet Bitnet: shor%sphinx@uchicago.bitnet ARPA: staff.melinda%uchicago.mailnet@mit-multics.arpa