Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site spar.UUCP Path: utzoo!utcs!lsuc!pesnta!amdcad!decwrl!spar!ellis From: ellis@spar.UUCP (Michael Ellis) Newsgroups: net.music,net.music.classical Subject: Progress, the Arts, and Razor Blades Message-ID: <109@spar.UUCP> Date: Tue, 26-Feb-85 06:13:17 EST Article-I.D.: spar.109 Posted: Tue Feb 26 06:13:17 1985 Date-Received: Wed, 27-Feb-85 10:26:52 EST References: <8347@brl-tgr.ARPA> Reply-To: ellis@spar.UUCP (Michael Ellis) Organization: Schlumberger Palo Alto Research, CA Lines: 30 Xref: utcs net.music:6065 net.music.classical:910 >> 2) Is there 'progress' in the arts? >>Of course not. Arts are made by people, and people never change. >Are you for real? I haven't heard that type of simple-minded >generalized BS since I quit watching those late 60's teeny-bobber TV... >... You have obviously not had any *good* formal music training. It's difficult to reply politely to such remarks. Razor blades, after all, would only be too kind. (Oops, I flamed! Sorry..) I cannot speak for the original author's intent, but his remarks ring true to these ears. Consider the meaning of `progress'. `Scientific progress', for instance, refers to the perfection of our knowledge of the physical world. But do the arts grow more perfect? Is the music of Olivier Messaien, John Lee Hooker, or Iggy Pop more emotionally moving than that of Josquin Dez Prez or Monteverdi? Are the paintings of Matisse or Piet Mondrian more effective than those of Vermeer? Of course not! The arts, of course, must change in response to the techniques and fashions of the time, as well as to the natural creative drives of artists who feel constrained by the past. And sometimes, when we are lucky, the genius of the past is recreated in a new image. -michael