Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site watdcsu.UUCP Path: utzoo!watmath!watdcsu!herbie From: herbie@watdcsu.UUCP (Herb Chong [DCS]) Newsgroups: net.rec.photo Subject: Re: New technology worth it? Message-ID: <1025@watdcsu.UUCP> Date: Wed, 27-Feb-85 11:33:01 EST Article-I.D.: watdcsu.1025 Posted: Wed Feb 27 11:33:01 1985 Date-Received: Thu, 28-Feb-85 20:29:20 EST References: <641@asgb.UUCP> <1472@emory.UUCP> Reply-To: herbie@watdcsu.UUCP (Herb Chong [DCS]) Organization: U of Waterloo Lines: 75 Summary: In article <1472@emory.UUCP> tony@emory.UUCP (Tony Vincent) writes: >>> Is the new technology in cameras (like the new Canon) really worth it? >> >>I suppose it really depends on what kind of photography you want to >>do. In my opinion, REAL photography requires lots of patience, >>thought, and attention to detail. REAL Photographers (with a capital >>'P') must consider all of the variables in exposure, composition, >>lighting, and (preferably) processing and their effect towards the end >>result of an expressive Photograph. >>... >>On the other hand, I'll very quickly acknowledge that the >>auto-everything machines are fine tools for the Art of >>Photojournalism. - Please note the distinction between what I refer to >>as two different Arts, in the same medium. >> >>Mike Rosenlof >=========== >...I find that I NEVER do serious >artistic photography with it in ANY of the auto modes... >I do however find that when I am going to be taking LOTS of pictures >of an event (particularly sports where you hardly even have time >to focus) use the shutter priority mode most often and occasionally, >and I do mean occasionally, I use the programmed mode.... >Tony Vincent i have two Pentax cameras, an MX, which is a fully manual camera that happens to have a builtin meter (it uses LEDs instead of a needle) and it doesn't depend upon batteries for functioning, and i have an ME Super Program, which has programmed, shutter- and aperture-priority exposure and other modes too (like the Canon A-1) and which is completely useless when the batteries die. `artistic' photography is something that i seldom do, but i have to agree that when doing that kind of work, you can determine exposure at your leisure and spend your time worrying about composition and lighting, which is AS IT SHOULD BE. automation is about as redundant as it is possible to be. the automatic exposure and progammed exposure cameras are for people who either don't have time or don't know how to expose properly, even with the aid of a meter (builtin or otherwise). most of the photography that i do would come under the photojournalism category. i am an advanced amateur, if my skill level had to be labelled. i have sold photo's to people other than my friends, but that doesn't make me semi-pro or anything. i find that i tend to use my ME Super Program in shutter priority most of the time and manual for a great deal of the rest. seldom do i use programmed or aperture priority. under the typical conditions that i work, i will take several hundred exposures in a few hour span under varying, though not wildly varying, lighting conditions. it is useful to know that my exposures will not be out by more than a stop or so whether i remember to change exposures or not, as i have had happen to me with my MX. both my cameras have winders that i purchased separately. for the type of work that i do, they are extremely handy, although by no means essential. they are too noisy for some applications. i have a small selection of lenses to cover my basic needs and have found that, for me anyway, lightness is of extreme importance, even more so than durability. try carrying a heavy camera, lens, winder, and flash around your neck for most of a day and you'll know what i mean. minor flame: who says photojournalists aren't REAL PHOTOGRAPHERS? they pay attention to the same things that any other serious photographer would. they just don't have as much time to do it and have to rely more on reflex and experience. it takes just a much skill. i have the suspicion that many photojournalistic photographers don't do `artistic' photography because they find it boring. Herb Chong... I'm user-friendly -- I don't byte, I nybble.... UUCP: {decvax|utzoo|ihnp4|allegra|clyde}!watmath!water!watdcsu!herbie CSNET: herbie%watdcsu@waterloo.csnet ARPA: herbie%watdcsu%waterloo.csnet@csnet-relay.arpa NETNORTH, BITNET, EARN: herbie@watdcs, herbie@watdcsu