Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site rlgvax.UUCP Path: utzoo!watmath!clyde!burl!ulysses!allegra!mit-eddie!genrad!panda!talcott!harvard!seismo!rlgvax!knight From: knight@rlgvax.UUCP (Steve Knight) Newsgroups: net.movies Subject: Re: Passage to India (really Dr. Zhivago's music) Message-ID: <583@rlgvax.UUCP> Date: Mon, 18-Mar-85 13:31:00 EST Article-I.D.: rlgvax.583 Posted: Mon Mar 18 13:31:00 1985 Date-Received: Wed, 20-Mar-85 04:05:54 EST References: <84@spar.UUCP>, <526@rlgvax.UUCP> <543@ahutb.UUCP> Organization: CCI Office Systems Group, Reston, VA Lines: 25 > Upon closer examination I > discovered that it was Jarre writing in Russian style. The piece of > music was the closing credit sequence of THE BLACK MARBLE. The film is > an adaptation of a Joseph Wambaugh novel about a policeman of Russian > extraction. I am only speculating, but a composer rarely throws away a > good piece of music and this might have been part of the excised > Zhivago score. People interested may want to watch for the film to > show up on TV. Actually, this isn't likely. Prior to the mid-70's (at least), composers of film scores did not own their music; this was explicitly outlined in their contract with a studio. Some composers with widespread name recognition (e.g., Mancini, Bacharach) were able to demand half ownership of their film scores, but these were exceptions. Jarre, in fact, was once asked to conduct the Zhivago score by a major symphony orchestra. When he asked MGM for the score, though, he was informed that it had been destroyed for the storage space. Nevertheless, I'll certainly look out for "The Black Marble." It's always possible that Jarre attempted to reconstruct excised portions of "Zhivago" from memory. -- Steve Knight {seismo,allegra,some other sites}!rlgvax!knight