Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucla-cs.ARPA Path: utzoo!watmath!clyde!bonnie!akgua!mcnc!decvax!ittvax!dcdwest!sdcsvax!sdcrdcf!trwrb!trwrba!cepu!ucla-cs!reiher From: reiher@ucla-cs.UUCP Newsgroups: net.movies Subject: Re: best film score Oscars Message-ID: <4407@ucla-cs.ARPA> Date: Wed, 20-Mar-85 00:41:45 EST Article-I.D.: ucla-cs.4407 Posted: Wed Mar 20 00:41:45 1985 Date-Received: Sun, 24-Mar-85 05:48:18 EST References: <167@ISM780.UUCP> Reply-To: reiher@ucla-cs.UUCP (Peter Reiher) Organization: UCLA Computer Science Department Lines: 34 Summary: In article <167@ISM780.UUCP> geoff@ISM780.UUCP writes: > >Well, I don't know about MOST movies. The point of a film score, like the >point of film lighting, and continuity editing etc, is NOT to be noticed. >If you notice the music in film, it's WRONG ... >None of the elements >of a film should stand out above the film itself, to do so is to distract >the viewer from what the director is trying to say. > I find this point of view rather narrow. Firstly, you've just thrown out any film that tries to work on any level other than the naturalistic, as such films usually feature noticeable camerawork, editting, scores, etc. Even assuming you're willing to consign such films to the abyss, I still think you're going too far. For scores, consider the effectiveness of an often repeated, appropriate theme, such as that in "The Year of Living Dangerously", "Ryan's Daughter", any adventure film of the thirties or fourties. Or fine music suitable to the mood of the piece, such as Elmer Bernstein's score for "To Kill a Mockingbird". Think about how much Marvin Hamlisch's arrangements of Scott Joplin's rags contributed to "The Sting". I think most people notice particularly beautiful photography, without necessarily compromising the film. I would hate to have to defend the statement that Hitchcock's editing of the shower scene in "Psycho" was a mistake, or that it was not noticeable. Ditto Eisenstein's brilliant editing in "Potemkin". How about the sets and costumes in "Gone With the Wind", which definitely were noticed? A film is more than plot. Plot is just one element. I think it narrow to say that plot and nothing else should be noticed. -- Peter Reiher reiher@ucla-cs.arpa {...ihnp4,ucbvax,sdcrdcf}!ucla-cs!reiher