Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 beta 3/9/83; site nbs-amrf.UUCP Path: utzoo!watmath!clyde!burl!ulysses!allegra!bellcore!decvax!genrad!mit-eddie!godot!harvard!seismo!umcp-cs!nbs-amrf!manheimer From: manheimer@nbs-amrf.UUCP (Ken Manheimer) Newsgroups: net.music Subject: Re: seeking long/varied rock pieces (Crimson!) Message-ID: <460@nbs-amrf.UUCP> Date: Mon, 11-Mar-85 17:18:50 EST Article-I.D.: nbs-amrf.460 Posted: Mon Mar 11 17:18:50 1985 Date-Received: Thu, 14-Mar-85 04:07:41 EST References: <366@abnji.UUCP> Organization: National Bureau of Standards Lines: 20 The title song on one of my favorite albums, Larks Tongues in Aspic by King Crimson, may fit the bill (I'm not sure since I missed the original request; this piece is worth mentioning anyway...). Larks Tongues in Aspic part I is about 6-7 minutes long and is followed by a coda that is pretty much intrinsic to the piece (another 2 or 3 minutes). While the duration of the entire thing isn't up to the two- side songs already mentioned in this news group, the range of dynamics (and, as far as I'm concerned, range of imagination) far exceeds any of the others. It is at times *extremely* energetic, and abrasive, and at other times exceedingly graceful. The song (and album) stand as an archetype, for me, of good progressive/experimental rock music, and I've rarely found anything in that vein to compare. If anyone out there has similar sentiments, or suggestions about other music along these lines, I'd like to hear about them. Oops, Ken Manheimer seismo!nbs-amrf!manheimer (everything leaks)