Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site pyuxd.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!pyuxww!pyuxd!rlr From: rlr@pyuxd.UUCP (Professor Wagstaff) Newsgroups: net.music.classical,net.music.synth Subject: Re: Microtonal music questions (Harry Partch) Message-ID: <713@pyuxd.UUCP> Date: Mon, 18-Mar-85 18:27:18 EST Article-I.D.: pyuxd.713 Posted: Mon Mar 18 18:27:18 1985 Date-Received: Tue, 19-Mar-85 06:06:16 EST References: <520@ahuta.UUCP> <662@pyuxd.UUCP> <2661@mcnc.UUCP> Organization: Huxley College Lines: 17 Xref: watmath net.music.classical:989 net.music.synth:138 > Let us not forget one of the pioneers of American microtonal music > (not to mention unique and wonderful acoustic instruments such as > the Surrogate Kitharra, the Mazda Marimba, the Marimba Eroica and > last but not least the "Spoils of War",) Harry Partch. Amazing stuff > and well ahead of its time. [BYRON HOWES] Ask me why I forgot to mention Partch. (Answer: sheer neglect and forgetfulness) If I recall Partch makes ALL his own instruments, and each one is truly unique. By the way, the music Dr. Demento uses to indicate the countdown in his "funny five" is from Harry Partch's Barstow which can be found on the Columbia album "The World of Harry Partch". (I use an excerpt from his "Daphne of the Dunes" from the same album on my answering machine---it's the surest thing to frighten away the unwanted calls, though it may scare off a few wanted ones.) -- Life is complex. It has real and imaginary parts. Rich Rosen ihnp4!pyuxd!rlr