Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site oliven.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!whuxl!whuxlm!harpo!decvax!decwrl!sun!idi!oliven!greg From: greg@oliven.UUCP (Greg Paley) Newsgroups: net.music,net.music.classical Subject: Re: Progress, the Arts, Razor Blades and Bull Message-ID: <829@oliven.UUCP> Date: Mon, 18-Mar-85 13:07:01 EST Article-I.D.: oliven.829 Posted: Mon Mar 18 13:07:01 1985 Date-Received: Wed, 20-Mar-85 05:14:32 EST References: <8347@brl-tgr.ARPA> <109@spar.UUCP> <963@hound.UUCP> <3096@allegra.UUCP> <631@mhuxt.UUCP> <121@spar.UUCP> Organization: Olivetti ATC, Cupertino, Ca Lines: 22 Xref: watmath net.music:6560 net.music.classical:991 > I must take exception to such sentiments. Are modern tools, precise and > efficient though they can be, more expressive than those of the past? > Have you not heard our artists, who must frequently work with the > inhuman, faceless, plastic artifacts of our machine driven era, lamenting > the disappearance of the ancient crafts? > Worse yet, such thinking confuses technique with art, which exists in > the spiritual, and not the physical, realm. Art lives in the depths of > the soul; it is inspired by and it touches human emotions. Only fools > and engineers equate technical precision with beauty. > Those who seek to perfect art by focusing on what they perceive as > physical imperfections have been blinded by its color, shape or sound. > Leonardo's art is a natural expression of the spirit and form of his > world. The assertion that it might be improved by modern paints is > horribly mistaken. I would have added a posting to this subject myself if Mike Ellis hadn't said what I would have and as well as I could have possibly done. Greg Paley