Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 (Tek) 9/28/84 based on 9/17/84; site shark.UUCP Path: utzoo!watmath!clyde!burl!ulysses!allegra!bellcore!decvax!tektronix!orca!shark!brucec From: brucec@shark.UUCP (The Traveller in Black @ The Old Phoenix) Newsgroups: net.music.classical,net.music.synth Subject: Re: Microtonal music questions Message-ID: <1287@shark.UUCP> Date: Wed, 13-Mar-85 16:18:10 EST Article-I.D.: shark.1287 Posted: Wed Mar 13 16:18:10 1985 Date-Received: Sat, 16-Mar-85 03:19:56 EST References: <520@ahuta.UUCP> <662@pyuxd.UUCP> Reply-To: brucec@shark.UUCP (The Traveller in Black @ The Old Phoenix) Organization: Tektronix, Wilsonville OR Lines: 21 Xref: watmath net.music.classical:980 net.music.synth:123 Summary: ------ There was a composer named Harry Partch who worked for many years with microtonal scales (predominantly 41-tone, I think, but I may be wrong). He built instruments designed for those scales, such as a set of glass bells. I have several articles on him packed in a box in someone else's attic, so I have to fly on memory for this one. Partch died three or four years ago, as I remember. On a slight aside from classical music, I believe that the gamelan music of Java and Burma is microtonal (it sounds that way, anyhow). There's a gamelan group local to this area (Portland, OR), so maybe someone around here can respond on that. Bruce Cohen UUCP: ...!tektronix!shark!brucec CSNET: shark!brucec@tektronix ARPA: shark!brucec.tektronix@rand-relay USMail: M/S 61-277 Tektronix, Inc. P.O. Box 1000 Wilsonville, OR 97070