Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site brl-tgr.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!whuxl!whuxlm!akgua!sdcsvax!dcdwest!ittvax!decvax!genrad!panda!talcott!harvard!seismo!brl-tgr!ron From: ron@brl-tgr.ARPA (Ron Natalie ) Newsgroups: net.rec.photo Subject: Re: re: Camera Vibration and Sharpness (photo labs) Message-ID: <9338@brl-tgr.ARPA> Date: Tue, 19-Mar-85 15:00:41 EST Article-I.D.: brl-tgr.9338 Posted: Tue Mar 19 15:00:41 1985 Date-Received: Sat, 23-Mar-85 00:48:25 EST References: <330@lcuxc.UUCP> <381@wjvax.UUCP> Organization: Ballistic Research Lab Lines: 20 > For normal stuff, you can't go wrong with Kodak. Ditto, ditto. For years I did all my Black and White myself, good B&W is fairly easy, it does take a little time. All my color work goes to Kodak, which has never messed up anything permanently, and you can always reject prints that to your taste, weren't done right. I've never had any body even question me when I sent stuff back. What's really neat is that I live close enough to the tranparency developing facility that I get one day service on slides. I did once take a picture of a yellowed painting under available light with Daylight film. The colors on the slide are understandably lousy. When I had an 8x10 made up, Kodaks color banancing wizmo color adjusted the whole thing so that it looks almost natural (better than real life). Of course they've messed things up also, causing a picture with some red in it to turn almos purple. -Ron