Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/5/84; site zehntel.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!ihnp4!houxm!vax135!cornell!uw-beaver!tektronix!zehntel!jackh From: jackh@zehntel.UUCP (jack hagerty) Newsgroups: net.movies Subject: Re: Great opening and closing film credits Message-ID: <1813@zehntel.UUCP> Date: Tue, 9-Apr-85 13:58:43 EST Article-I.D.: zehntel.1813 Posted: Tue Apr 9 13:58:43 1985 Date-Received: Thu, 11-Apr-85 00:42:41 EST References: <625@vortex.UUCP> <3984@mit-eddie.UUCP> Organization: Zehntel Automation Systems Inc, Walnut Creek CA Lines: 23 > > How about the opening credits to the film version of "Fahrenheit 451", > which were SPOKEN, not printed. This fits in with the plot of the story > well, since it is about a time when books are banned and presumably > there is little unnecessary reading (I don't remember whether there were > any streetsigns or other writing in the film). > -- > Barry Margolin There are no signs at all in the film, everything is pictograms. There is a scene early on in the film showing Montag "reading" a newspaper. It is essentially a giant comic book with no words; every thing is pantomine. As for creative credits, how about "The Great Race" with Tony Curtis and Jack Lemon? The opening credits were an animated magic lantern show complete with audience reactions: Cheeers for Tony Curtis' credit, boos for Jack Lemon, whistles and stomps for Natalie Wood, etc. They even put some in upside down, etc., for effect. -- Jack Hagerty, Zehntel Automation Systems ...!ihnp4!zehntel!jackh