Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84 exptools; site ihu1m.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!ihnp4!ihu1m!brandx From: brandx@ihu1m.UUCP (Howard D. Weisberg) Newsgroups: net.music Subject: Stanley Jordan (A Historical Perspective) Message-ID: <372@ihu1m.UUCP> Date: Tue, 9-Apr-85 13:03:40 EST Article-I.D.: ihu1m.372 Posted: Tue Apr 9 13:03:40 1985 Date-Received: Wed, 10-Apr-85 05:52:06 EST Distribution: net Organization: AT&T Bell Laboratories Lines: 32 When I was going to school in Madison (1982-83), I saw Stanley Jordan perform several times. He played quite a bit there. I've seen him play solo (playing a single guitar). I've also seen him with a band (a bassist playing electric and acoustic and a drummer). When Stanley played with a band, he played 2 guitars at once. If you've seen Stanley, you know that he's not out to show off his technique, it's just that playing 2 guitars allows him a bit more freedom (keeps one hand from getting in the other's way). I've also heard stories of his arrival in Madison. Turns out that he was invited to a party, where he entertained the guests by playing guitar and keyboards simultaneously. He put out an album prior to the Blue Note record by himself. The album is called "Touch Sensitive" and I believe the record label is "Tangent." All the songs (except for a brilliant version of Havah Nagillah) were written by him. One of these songs "All the Children" appears on his new album. All of this music is solo and more in the vein of "All the Children" and not as varied as "Magic Touch". There are some great tunes: "Jumping Jack", "Renaissance Man", "I Have a Dream", etc. The story has it also that, a couple of years ago, he went to DownBeat magazine and introduced himself. They told him "Don't call us, we'll call you." Seems that after his appearance at the Kool Jazz Fest, they had no choice but to write. A few years ago, I read in the "Isthmus" (Madison's version of the Reader or the Village Voice), that he wanted to get into more pop-sy, vocal music. I hope he's given up that idea. Narada Michael Walden said that it was good that he played with Mahavishnu, because it gave him the oppurtunity to get out on his own and play R&B. Let's hope Stanley doesn't waste his talent like that.