Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84 exptools; site ihu1m.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!ihnp4!ihu1m!brandx From: brandx@ihu1m.UUCP (Howard D. Weisberg) Newsgroups: net.music Subject: Al DiMeola with EyeAirToe (Live) Message-ID: <384@ihu1m.UUCP> Date: Mon, 15-Apr-85 13:51:08 EST Article-I.D.: ihu1m.384 Posted: Mon Apr 15 13:51:08 1985 Date-Received: Tue, 16-Apr-85 01:13:44 EST Distribution: net Organization: AT&T Bell Laboratories Lines: 37 Last Friday night I saw Al DiMeola with Airto Moreira (perc.) and Phil Markowitz (keys.). To say that I've been disappointed with solo DiMeola music for the past few years would be an understatement. Splendido Hotel really only had about 2 1/2 sides of good stuff. Electric Rendezvous wandered from hopeless rock parodies to some okay acoustic stuff. The live album was Al trying to be a rockstar. Scenario was Al trying to be Peter Gabriel (except that to be Peter Gabriel you have to play with feeling and make human sounds out of machines). Needless to say, I went to the Park West with no expectations (the best way to go to a concert.) First Airto comes out and does a couple of amazing solo pieces. He has never sounded better. His trademark "drum solo on a tambourine" was awesome. All very musical. Then DiMeola strolls out. Who is this guy with the guitar that's all clean-shaven and wearing a red bandana? He sits down and starts playing. What's this? I guess the chair keeps him from feeling like he's a rock star. Too bad. This guy doesn't even play the same fast scales over and over. During one composition he picks up his Synclavier guitar. It sounds like a human voice coming out of the guitar. (Beats the hell out of "I Can Tell"). The next time he plays it, it sounds like a xylophone. For the very first time in a long time, DiMeola's sounding human. Playing great compositions instead of mechanical "Romantic Warrior" influenced exercises ( I guess he gave up trying to be Chick Corea). The only thing I could compare this to (if you want a comparison) is Pat Metheny. This music holds its own. The only old stuff he did was "Scenario" and "Short Tales of the Black Forest." I guess Columbia must have dumped Al (he didn't produce a hit single in his allotted time). His new record will be out on Manhattan Records this month. Al is back. I'll be