Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site brl-tgr.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!whuxl!whuxlm!harpo!decvax!genrad!panda!talcott!harvard!seismo!brl-tgr!tgr!DBarker%PCO@CISL-SERVICE-MULTICS.ARPA From: DBarker%PCO@CISL-SERVICE-MULTICS.ARPA (Deryk Barker) Newsgroups: net.music Subject: Beethoven metronome markings. Message-ID: <9985@brl-tgr.ARPA> Date: Tue, 16-Apr-85 08:04:25 EST Article-I.D.: brl-tgr.9985 Posted: Tue Apr 16 08:04:25 1985 Date-Received: Thu, 18-Apr-85 07:48:30 EST Sender: news@brl-tgr.ARPA Lines: 17 The metronome was, of course, not invented until after most of Beethoven's symphonies had been written. He then went back and notated them - somewhat controversially one may add. I would suggest that a lot of his tempi could not really be managed with a large symphony orchestra. Contrast the first movement of the Eroica (marked, I believe, at crochet = 120). The LAPO/Giulini version (a GREAT performance) takes about 20:30 for this movement, without the exposition repeat. The ASMF/Marriner version (small orchestra) takes 17:50 ish, WITH the repeat. For those interested in small-scale up-to-speed Beethoven I highly recommend this record - beautifully recorded (also available on a fine CD). The finale also cracks along. Many of the tempi Beethoven marked are contoversially fast - a notable example being the first movement of the Hammerklavier sonata op 106. Can anyone play this at the marked speed? Does anyone try? (The fastest version I know is by Pollini). deryk.