Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site cornell.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!vax135!cornell!mf From: mf@cornell.UUCP (mf) Newsgroups: net.music.classical Subject: Re: countertenor Message-ID: <1208@cornell.UUCP> Date: Wed, 24-Apr-85 07:41:46 EST Article-I.D.: cornell.1208 Posted: Wed Apr 24 07:41:46 1985 Date-Received: Thu, 25-Apr-85 03:44:05 EST References: <3633@alice.UUCP> <397@ihu1m.UUCP> Reply-To: (Uucp) cornell!mf (ARPA) mf@cornell-gvax (Bitnet) MF AT CRNLCS Organization: Cornell Universe City Lines: 7 >> Let us not forget John Ferrante, with his four-octave (!!) range. >> Nor Andrea Von Ramm, a natural alto who trained herself to sing >> way into the baritone range. Nor Julius Eastman (in Maxwell-Davies' ``8 Songs for a Mad King''). 4 octaves, you said?