Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site druxv.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!ihnp4!drutx!druxv!mlf From: mlf@druxv.UUCP (Fontenot) Newsgroups: net.music.folk Subject: Re: bluegrass and traditional styles Message-ID: <1552@druxv.UUCP> Date: Thu, 18-Apr-85 14:41:55 EST Article-I.D.: druxv.1552 Posted: Thu Apr 18 14:41:55 1985 Date-Received: Fri, 19-Apr-85 00:49:58 EST References: <1075@hound.UUCP> Organization: AT&T Information Systems Laboratories, Denver Lines: 15 ************************************************************************ I think Bill Monroe takes a lot more credit than he really deserves for the "invention" of bluegrass. Probably the most destinctive sound in bluegrass is the 3-finger banjo style, and it was Earl Scruggs, not Monroe, who did the banjo picking; Moreover, I doubt that Earl was really the only banjo picker using that style, even though the frailing style was much more common. And as for the singing, there are lots of other groups who do a very different, and much nicer, job of harmonizing (e.g., the Bluegrass Cardinals, the Seldom Scene, and the Country Gentlemen). Not all bluegrass lovers accept the "high-lonesome" Monroe sound as the essential defining element of bluegrass. Mike Fontenot Denver, Colo. *************************************************************************