Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.PCS 1/10/84; site ahutb.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!ihnp4!drutx!ahuta!ahutb!leeper From: leeper@ahutb.UUCP (m.r.leeper) Newsgroups: net.movies,net.sf-lovers Subject: Re: LADYHAWKE Message-ID: <685@ahutb.UUCP> Date: Wed, 17-Apr-85 20:48:10 EST Article-I.D.: ahutb.685 Posted: Wed Apr 17 20:48:10 1985 Date-Received: Thu, 18-Apr-85 05:22:05 EST References: <664@ahutb.UUCP> <144@timeinc.UUCP> Organization: AT&T Information Systems Labs, Holmdel NJ Lines: 66 Xref: watmath net.movies:6110 net.sf-lovers:7082 >We saw LADYHAWKE this weekend. I must take issue with >several of your points, and add a couple of comments, after >reading your fine review, Mark. Well, I can't complain if you take issue and in the same breath call it a "fine" review. Thanks. > >First, on Michelle Pfeiffer as Isabeau: We thought she was >extraordinarily appropriate in the role. She's beautiful, >impetuous, strong-willed, and, yes, anachronistic in these >strengths and in her power and her sexuality. That is not what I objected to. She just seems too American somehow. It doesn't help that I recently saw INTO THE NIGHT, but her accent seems all wrong. The makeup may have been a strong contributory factor, also. She just does not sound Medieval when she talks. Rutger Hauer, carried it off and I think Matthew Broderick was not too far out of place. I just never believed her character as coming out of that period. >Your review was more than just a mild spoiler, >incidentally-- perhaps I'm slow, but one of the most >marvelous parts of the film was in slowly making the >connection between the hawk and Isabeau, and between the man >and the wolf. I'm glad I didn't know about that before I >saw it. By the time I saw the film I saw the film I had heard the premise in presentations at science fiction conventions, in ads, on TV's At The Movies, in a presentation at a science fiction society by Joan Vinge who is writing the novel, etc. Also I contend it is almost impossible to review the film without giving that much away. Incidentally, none of these excuses would I find acceptable if the tables were turned and I had read just the USENET review before seeing the film. What can I say? I was desensitized by the advance publicity and I flubbed it. >And you didn't mention the horse--Goodness, that horse--the >black stallion--was just incredible. Perhaps, given your >other cast-related comments, you could at least have given >credit to someone, somewhere, for having made a most >extraordinary casting decision when they found that horse. Not a detail I am likely to notice. I thought that the horse looked good in BLACK STALLION, this one did not impress me so much, but it could be I just didn't notice. > >Verdict: Don't miss it. Enjoy it. Especially with your >SO--for the scene at the end is perhaps one of the most >romantic and delightful scenes ever filmed, although it's simple. I actually thought this scene was a bit drawn out and for reasons I won't mention here, unrealistic. (Well, it is mostly for what most of the people are doing or not doing in this scene.) Incidentally this last paragraph of yours is something of a minor spoiler in itself. I have to agree with your verdict. I was impressed with the film. Thank you for following up on my review. Mark Leeper ...ihnp4!ahutb!leeper