Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site topaz.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!ihnp4!cbosgd!cbdkc1!desoto!packard!topaz!@RUTGERS.ARPA:AXLER%Upenn-1100%upenn.csnet@csnet-relay.arpa From: @RUTGERS.ARPA:AXLER%Upenn-1100%upenn.csnet@csnet-relay.arpa Newsgroups: net.sf-lovers Subject: Art in True Names Message-ID: <1746@topaz.ARPA> Date: Tue, 23-Apr-85 16:42:51 EST Article-I.D.: topaz.1746 Posted: Tue Apr 23 16:42:51 1985 Date-Received: Wed, 24-Apr-85 05:01:27 EST Sender: >@topaz.ARPA Organization: Rutgers Univ., New Brunswick, N.J. Lines: 36 From: "Don't worry, I'll tell you later." I think that a few of Mark Leeper's comments re Bob Walters' artwork for True Names are in need of comment. Having been involved with that project rather intimately -- both I and a housemate posed for some of the setup photos for this book, though the faces were changed to protect the guilty -- I think I'm in a position to do so. First of all, you must recognize that very few sf artists have as muchj control over their work as you seem to think, Mark. Art directors often tell artists precisely which scenes they want illustrated, from what perspective, and so on. When such limits are placed on an artist, they can prevent some of his or her talent from showing through. To my mind, despite the numerous constraints placed on him by Bluejay's staff, Bob managed to produce a fine set of illustrations. Secondly, your comment on the sloppy placement of the illustrations, while true, is placed in the same paragraph as your comments on the artist's talents. Unfortunately, this implies that the two are related, which they aren't. Once again, this type of thing is under the control of the publisher, not the artist. If you're unhappy with the placement of the pictures (and you're quite right about it being sloppy), please bitch directly to Bluejay -- this isn't something that the artist has any control over. Unfortunately, Bluejay in general does sloppy work. Their trade paperback line has, all too often, consisted of reprints whose length, even when one counts the "padding" like Minsky's comments on True Names, doesn't justify their price. Their release dates are continually slipping, causing losses of royalties to both authors and artists. [True Names has an '84 copyright date, but wasn't shipped till mid-January of '85; as a result, many of the big book- stores {Daltons/Walden/etc} refused to stock it, as it was an "out-of-date" edition.] I know, from talking to Bob, that he intends not to work for them again unless it's absolutely necessary -- apparently they didn't even have the courtesy to return the originals in decent shape! By the way, if you really want to judge the quality of his work, you might consider attending this year's Disclave (in DC over Memorial Day Weekend), where he will be the Artist Guest of Honor. --Dave Axler