Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83 based; site hound.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!hound!rfg From: rfg@hound.UUCP (R.GRANTGES) Newsgroups: net.audio Subject: Re: Stereo condenser (or other) microphones for use in portable recording Message-ID: <1106@hound.UUCP> Date: Thu, 25-Apr-85 23:52:59 EST Article-I.D.: hound.1106 Posted: Thu Apr 25 23:52:59 1985 Date-Received: Sat, 27-Apr-85 04:13:36 EST References: <1115@rocksvax.UUCP> <579@astrovax.UUCP> <1888@hcradm.UUCP> <581@astrovax.UUCP> Organization: AT&T Bell Labs, Holmdel NJ Lines: 20 [] I have the Sony ECM-939T single point stereo mike that was sort of intended for the WM-D6. I DO NOT recommend it. It is clean but has no bass, falling off at 6 db/octave or more from about 200+ hz if I recall. I bought two Radio Shack 33-1056A condenser mikes of the tie clip variety. RS does not make any fantastic claims for them, but I have made several recordings which sound pretty good. One was made at a piano recital where I clipped one to each shoulder of my wool sport jacket. The effect was great just sitting in a rear-ish seat. Imagine what would have happened, though, if I had dozed off during the performance! I think so much of this combination that I am taking it with me this summer on a trip to England. the WM-D6 fits neatly into a side pocket of my camera bag and the bag itself is about as thick as my head is wide. So, an RS mike clipped each side of the pocket is spaced about optimally for binaural recording. The bag in between simulates the head. I expect fantastic results. Well, I hope for them. -- "It's the thought, if any, that counts!" Dick Grantges hound!rfg