Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/5/84; site uvacs.UUCP Path: utzoo!watmath!clyde!burl!ulysses!allegra!mit-eddie!genrad!decvax!mcnc!ncsu!uvacs!rwl From: rwl@uvacs.UUCP (Ray Lubinsky) Newsgroups: net.movies Subject: Re: Re: First Color Films Message-ID: <2049@uvacs.UUCP> Date: Wed, 24-Apr-85 18:23:39 EST Article-I.D.: uvacs.2049 Posted: Wed Apr 24 18:23:39 1985 Date-Received: Sat, 27-Apr-85 08:01:14 EST References: <4882@ucla-cs.ARPA> <1117@hou5e.UUCP> Organization: U.Va. CS in Charlottesville, VA Lines: 26 > One interesting fact about color films. The process was discovered in > the middle of the filming of the Wizard of Oz. They decided not to > reshoot all the parts they had already done. That's why the scenes in > Kansas are in black and white and you don't have any color until they > hit Munchkinland. > > ellen bart -- Is this really true? I always thought that it was a cinematic tech- nique in which the drabness of ``reality'' is put in contrast with the ``fantasy'' of a little girl. Now, I can't exactly remember, but I believe that the scenes in Kansas _after_ the return from Oz are also in color. This says to me that Dorothy has discovered a new approach to life; she is now willing to see the beauty of the real world. I would imagine that all of the scenes which needed the Kansas set would have been shot in the same stretch of time. If this is the case, there seems to be little support for the idea that the color process was developed in the midst of shooting the film. Corrections? Comments? -- ------------------------------------------------------------------------------ Ray Lubinsky University of Virginia, Dept. of Computer Science uucp: decvax!mcnc!ncsu!uvacs!rwl