Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 8/7/84; site ucbvax.ARPA Path: utzoo!watmath!clyde!burl!ulysses!ucbvax!upstill From: upstill@ucbvax.ARPA (Steve Upstill) Newsgroups: net.movies Subject: Re: First Color Films (Oz) Message-ID: <6588@ucbvax.ARPA> Date: Mon, 29-Apr-85 12:31:01 EDT Article-I.D.: ucbvax.6588 Posted: Mon Apr 29 12:31:01 1985 Date-Received: Tue, 30-Apr-85 05:55:31 EDT References: <1823@zehntel.UUCP> <1110016@acf4.UUCP> <897@trwatf.UUCP> Reply-To: upstill@ucbvax.UUCP (Steve upstill) Organization: University of California at Berkeley Lines: 12 Summary: About Technicolor being "discovered in the middle of filming" the Wizard of Oz: Something nobody seems to realize is that films are almost never photographed in plot-order. Rather, they are assembled as logistics dictate: when sets are finished, cast scheduled, etc. Any engineer can easily see the advantage to this. It only makes more impressive the ability of good actors to have their characters change subtly in the course of the film. See Kathleen Turner in Romancing the Stone for a good example. A notable exception to this rule was "They Shoot Horses, Don't They?". I remember the director specifically mentioning them taking the unusual (and expensive) step of shooting (the film) in chronological order to help the actors out.