Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: $Revision: 1.6.2.16 $; site ism70.UUCP Path: utzoo!linus!philabs!cmcl2!seismo!harvard!think!ism70!peggy From: peggy@ism70.UUCP Newsgroups: net.music Subject: Re: Re: string fever (Stanley Jordan) Message-ID: <16100013@ism70.UUCP> Date: Thu, 25-Apr-85 09:50:00 EDT Article-I.D.: ism70.16100013 Posted: Thu Apr 25 09:50:00 1985 Date-Received: Thu, 2-May-85 05:39:21 EDT References: <16@harvard.UUCP> Lines: 25 Nf-ID: #R:harvard:-1600:ism70:16100013:000:1291 Nf-From: ism70!peggy Apr 25 10:50:00 1985 Stanley Jordan is an amazing, new guitar player who uses a two-handed technique (both hands produce notes by tapping on the finger-board without plucking or strumming). With this new technique, Stanley is capable of creating a whole new vocabulary of possibilities for the guitar. He has two albums out. The first, Touch Sensitive (on a small label out of San Jose), is very difficult to find. The second, Magic Touch (on Blue Note - BT85101), is a digital recording produced by Al Di Meola. It has solo and group performances and contains tunes such as Round Midnite, A Child is Born, Eleanor Rigby, and The Lady In My Life. Stanley's technique is phenomenal, and his musical taste is also highly refined. He really sounds like two GOOD guitarist playing simultaneously. As a guitar player, I feel that Stanley Jordan is seriously challenging the accepted tradition of the guitar. If this guy gets the attention he deserves, guitar playing will be permanently changed. "It's nice to hear a new guitarist who can stretch from Round Midnite to Eleanor Rigby and The Lady In My Life, free and daring...my favorite kind of musician. Stanley Jordan may you forever grow. You and Wynton have made my last five years." -- Quincy Jones Submitted by Peggy Lerch for Tim Lerch