Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site osiris.UUCP Path: utzoo!linus!philabs!cmcl2!seismo!umcp-cs!aplvax!osiris!jcp From: jcp@osiris.UUCP (Jody Patilla) Newsgroups: net.music Subject: Re: Jethro Tull retraction and flame Message-ID: <307@osiris.UUCP> Date: Sun, 5-May-85 11:05:10 EDT Article-I.D.: osiris.307 Posted: Sun May 5 11:05:10 1985 Date-Received: Tue, 7-May-85 07:24:15 EDT References: <268@osiris.UUCP> <194@unccvax.UUCP> Organization: Johns Hopkins Hospital Lines: 31 > > Bullcookies!!!!!!!!!!!!!!!!!!!! > > Jethro Tull can be called a lot of things but relatively unoriginal? > How about your article: every Tull hater at one time, or another, has always > pinned the blame for their annoyance on Ian ripping off Roland Kirk. Steve > Simels, in Sterno Review, legitimizes his disdain for Tull quite frequently > in print using this approach, for example. > > David Anthony > Hey, whoa, slow down. Y'all extract the wrong message from things. I said, "hasn't had an original thought since 1978". That was "Heavy Horses", which was, in my opinion, the last good Tull album. Like alot of other folks on the net, "Minstel in the Gallery" is my favorite Tull album and still worth a listen, but recent albums went down in quality quite a bit, more hot air than music. I wasn't trying to be down on Anderson for his flute playing, but I wanted to make it clear where his primary influence came from (and where Roland Kirk's came from, too, remember). I liked Tull alot because I also liked bands like Fairport Convention, but where menebers of that band have gone on to new and better things, Tull just hasn't gone anywhere in recent years, except maybe to more elaborate costumes. As for Madonna, well, I can't stand her, but I wanted to hear someone else's opinion without necessarily influencing anyone. -- jcpatilla "'Get stuffed !', the Harlequin replied ..."