Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site brl-tgr.ARPA Path: utzoo!watmath!clyde!burl!ulysses!gamma!epsilon!zeta!sabre!bellcore!decvax!mcnc!philabs!cmcl2!seismo!brl-tgr!wmartin From: wmartin@brl-tgr.ARPA (Will Martin ) Newsgroups: net.music.classical Subject: Re: countertenor (Really Early Music) Message-ID: <10413@brl-tgr.ARPA> Date: Fri, 3-May-85 15:52:44 EDT Article-I.D.: brl-tgr.10413 Posted: Fri May 3 15:52:44 1985 Date-Received: Mon, 6-May-85 01:28:18 EDT References: <3633@alice.UUCP> <397@ihu1m.UUCP> Organization: USAMC ALMSA Lines: 42 > > Nor Andrea Von Ramm, a natural alto who trained herself to sing > way into the baritone range. > -- > ken perlow ***** ***** Aha! A mention of one of my favorite musical people! I had the good fortune hear Ms. von Ramm live, when the Studio der Fruehen Musik played here in St. Louis at Washington University, back in the 60's when I was a student there. I believe that the Studio had some sort of affiliation with the University at that time. Anyway, those performances, coupled with the discovery of other early music in the library there, inspired in me a love for medieval and renaissance music that I have since indulged by accumulating many records of such music. I have tried to collect all the records by the Studio der Fruehen Musik (we need an ASCII umlaut!), but I haven't seen a discography anywhere. Does anyone on the net have access to such a listing? If so, could it be posted or could you mail me a copy? (Or I'll pay for copying & USnail, as usual...) More queries -- what has Andrea von Ramm done besides participate in the Studio der Fruehen Musik? And can anyone post or email me information about this group, including their current status (I don't even know if they still exist) or their history (changes in membership over the years, critical reviews and info on their development in performance styles or anything else, etc.)? And on early music in general: all I know about the subject is what I've gleaned from hundreds of record jackets. Anybody want to recommend books or references on the subject? (I know *nothing* about music, per se, so I'd get more out of books that didn't expect a technical musical background...) It's interesting... I've built my classical collection by emphasizing early music and am just starting to think about expanding into the Baroque (to add to the usual assortment of standards and warhorses I and everyone else already have...). Maybe, if I live to 80 or so, I'll make it up to Romantic... Regards, and thanks for giving me an opening to get into all this... Will Martin USENET: seismo!brl-bmd!wmartin or ARPA/MILNET: wmartin@almsa-1.ARPA