Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site asgb.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!whuxl!whuxlm!harpo!decvax!ittvax!dcdwest!sdcsvax!bmcg!asgb!mike From: mike@asgb.UUCP (Mike Rosenlof) Newsgroups: net.rec.photo Subject: re: view area vs. film area Message-ID: <660@asgb.UUCP> Date: Mon, 22-Apr-85 12:40:35 EST Article-I.D.: asgb.660 Posted: Mon Apr 22 12:40:35 1985 Date-Received: Sat, 27-Apr-85 03:46:19 EST Organization: The Wombat's Lair Lines: 29 <> > Anyone know why non-professional cameras offer a diminished view of the > picture than will appear on the negative, sometimes as little as 90% of > the negative area? Why do only professional camera's offer a relatively > full view of the picture area? > > Canon AE-1 finder area 91% x 92% of film area > Nikon FE finder area 93% x 92% of film area > Canon F-1 finder area 96% x 98% of film area > Nikon F3 finder area 98% x 99% of film area > There are two main reasons, the first is size. A screen which covers 100% of the negative is bigger than one which covers only 90%. In the examples, the F-1 and F3 are both larger than the AE-1 and FE. Larger also means heavier which is a bigerg disadvantage in the "mass marker" cameras than the "pro" models. Correct me if I'm wrong, but I'd bet that the Pantax LX - definitely a professional camera - doesn't cover 100% of the field of view, mostly because of its size. The second reason is manufacturing tolerances. A slightly diminished view allows a little more slop in aligning the viewing system. By easing the tolerances, the price can be brought down. Mike Rosenlof ihnp4!sabre!\ hplabs!sdcrdcf!-bmcg!asgb!mike { ihnp4, ucbvax, allegra }!sdcsvax!/ Burroughs Advanced Systems Group Boulder, Colorado