Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ames.UUCP Path: utzoo!linus!philabs!cmcl2!seismo!hao!ames!barry From: barry@ames.UUCP (Kenn Barry) Newsgroups: net.books Subject: Re: Hofstadter on computer music and Fractals Message-ID: <996@ames.UUCP> Date: Sun, 19-May-85 23:33:19 EDT Article-I.D.: ames.996 Posted: Sun May 19 23:33:19 1985 Date-Received: Tue, 21-May-85 05:03:36 EDT References: <582@tpvax.fluke.UUCP> <195@u1100s.UUCP> <14174@watmath.UUCP> <711@gloria.UUCP> <234@sdcc13.UUCP> <862@sdcsvax.UUCP> Organization: NASA-Ames Research Center, Mtn. View, CA Lines: 19 > To read is to understand, sort of Numen et nomen (sp?). The regular > irregularity of music might very well come within the scope of the > little monsters fractal geometry describes. The only problem is that > at current, fractalizing algorthms take a while to do there work, and > most music generators are fairly fast (but then that is what film is for). I once played around with a fractal composition algorithm on my Apple. Nothing fancy, just a short routine that picked the pitch of each note from a user-given key. Of the 30 or so short pieces I had it compose, I was pleasantly surprised when two of them turned out (I thought) rather interesting. I think fractals have a lot of promise for computer-generated music. Is anyone doing any serious music stuff with them? - From the Crow's Nest - Kenn Barry NASA-Ames Research Center Moffett Field, CA ------------------------------------------------------------------------------- USENET: {ihnp4,vortex,dual,nsc,hao,hplabs}!ames!barry