Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: $Revision: 1.6.2.16 $; site haddock.UUCP Path: utzoo!watmath!clyde!burl!ulysses!allegra!mit-eddie!think!haddock!jimc From: jimc@haddock.UUCP Newsgroups: net.movies Subject: Re: B&W vs. Computer or hand tinted colo Message-ID: <13900040@haddock.UUCP> Date: Fri, 10-May-85 11:20:00 EDT Article-I.D.: haddock.13900040 Posted: Fri May 10 11:20:00 1985 Date-Received: Sun, 12-May-85 04:52:59 EDT References: <244@spock.UUCP> Lines: 13 Nf-ID: #R:spock:-24400:haddock:13900040:000:707 Nf-From: haddock!jimc May 10 11:20:00 1985 On a side note, remakes of some old *Alfred Hitchcock Presents* episodes were shown in one movie feature last Sunday night on one of the networks. They took some of the old introductions of the television series (which featured Hitchcock) and computer-colored them, so they wouldn't stand out against the modern color remakes. The result was quite impressive, I thought. I am curious: were directors of black and white films attentive to color when they were filming? I would think that the directors of old-time color features were certainly more attentive to it than black-and-white directors. The result might be some strange-looking colors revealed to us through this new process. Or am I wrong?