Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site moncol.UUCP Path: utzoo!utcs!lsuc!pesnta!moncol!john From: john@moncol.UUCP (John Ruschmeyer) Newsgroups: net.movies Subject: Re: B&W vs. Computer or hand tinted colo Message-ID: <291@moncol.UUCP> Date: Mon, 13-May-85 09:55:06 EDT Article-I.D.: moncol.291 Posted: Mon May 13 09:55:06 1985 Date-Received: Tue, 14-May-85 05:30:17 EDT References: <13900040@haddock.UUCP> Organization: Monmouth College, West Long Branch, NJ 07764 Lines: 28 >Nf-From: haddock!jimc May 10 11:20:00 1985 > >I am curious: were directors of black and white films attentive >to color when they were filming? I would think that the directors >of old-time color features were certainly more attentive to it than >black-and-white directors. The result might be some strange-looking >colors revealed to us through this new process. Or am I wrong? If you looked at the "real" colors of B&W films, you probably would be a bit surpried. I seem to recall that in early black-and-white episodes of "Doctor Who", the supposedly white console was actually light green. Apparently, light green filmed better than white in B&W. (This tidbit is mentioned in "Doctor Who- the Key to Time".) I am not sure, however, whether the computer enhancement brings out the "true" colors or whether that is a human decision. -- Name: John Ruschmeyer US Mail: Monmouth College, W. Long Branch, NJ 07764 Phone: (201) 222-6600 x366 UUCP: ...!vax135!petsd!moncol!john ...!princeton!moncol!john ...!pesnta!moncol!john Silly Quote: "Oh sair, it was Kahn. We found him in an unlinked inode. He put creatures in our bodies... made us post lies, say things, flame things, but keptin was strong..."