Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site nvuxf.UUCP Path: utzoo!linus!philabs!cmcl2!seismo!harvard!talcott!panda!genrad!decvax!tektronix!uw-beaver!cornell!vax135!houxm!mhuxt!mhuxr!ulysses!gamma!pyuxww!pyuxv!nvuxa!nvuxf!markg From: markg@nvuxf.UUCP (M. Guzdial) Newsgroups: net.movies Subject: re: B&W vs. Tinted Films Message-ID: <107@nvuxf.UUCP> Date: Sat, 11-May-85 12:34:02 EDT Article-I.D.: nvuxf.107 Posted: Sat May 11 12:34:02 1985 Date-Received: Thu, 16-May-85 02:35:27 EDT Organization: Bell Communications Research, Red Bank, NJ Lines: 21 I have seen a hand-tinted film, "The Great Train Robbery," and the colors were WAY off. The colors were literally "Day Glo" in their brightness and their intensity. I would be very optimistic about some good computer- generated tintings. At the same time, I agree whole heartedly with the comments made earlier about color "spoiling" some classic B&W scenes. For example, many "film noir" films would be ruined with anything but black-and-shiny colorings. On a similar note, I'd like to ask the newsgroup's opinion on a discussion I had with my film class professor. On just this point, color vs. B&W, he stated that "film noir" could ONLY be done in black-and-white. I disagreed saying that "Blade Runner" was a successful "film noir" in color. He disagreed saying that he felt that BR just "didn't make it" as film noir. Comments? Mark Guzdial {ihnp4, houxm}!nvuxf!markg (201) 949-5471