Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.PCS 1/10/84; site mtgzz.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!ihnp4!drutx!mtuxo!mtgzz!leeper From: leeper@mtgzz.UUCP (m.r.leeper) Newsgroups: net.movies Subject: Music in films set in history Message-ID: <759@mtgzz.UUCP> Date: Fri, 24-May-85 02:09:25 EDT Article-I.D.: mtgzz.759 Posted: Fri May 24 02:09:25 1985 Date-Received: Sat, 18-May-85 23:50:54 EDT Organization: AT&T Information Systems Labs, Holmdel NJ Lines: 34 A while back when I was writing by review of LADYHAWKE I made a statement that bothered me at the time and I was surprised nobody took me to task on it. I said: >And speaking of things out of place, Andrew Powell's rock >score is totally inappropriate. He takes scenes that >otherwise have a beautiful period and wreaks real havoc with >the spirit and texture of the film. The implication to me of what I myself am saying is that a more traditional score is more appropriate. I really do believe that, but I am not sure why. The score to a film like BECKET really does seem to have the feel of the period to me. But intellectually I don't know how that could possibly be. In the time of BECKET or LADYHAWKE music was, I believe, quite different than it is today. Instruments were much cruder and the music was of a different style. The music of the age that LADYHAWKE is set in did not have music much like anything that we currently hear in films, -- why does certain music in films sound appropriate to the period and other music does not? There seems to be something in the scores of some films that make them seem to fit into a period of history, but for the life of me I am not sure what there is in the music that makes it seem that way. Another film that this has struck me with is the film WITCHFINDER GENERAL (aka CONQUERER WORM). In the middle of nowhere this film pulls out a musical theme that is peaceful and surprisingly beautiful -- quite out of keeping with this otherwise rather jarring historical/horror film. It really has the feel (for me) of England at the time of Cromwell. I don't think that it really sounds like an old English ballad, but it has something that sounds right. Anybody out there know why that is? Does anybody even understand the question? Mark Leeper ...ihnp4!mtgzz!leeper