Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucla-cs.ARPA Path: utzoo!watmath!clyde!cbosgd!ihnp4!mhuxn!mhuxr!ulysses!allegra!mit-eddie!genrad!decvax!ittvax!dcdwest!sdcsvax!sdcrdcf!trwrb!trwrba!cepu!ucla-cs!reiher From: reiher@ucla-cs.UUCP Newsgroups: net.movies Subject: Re: film noir - a definition (of sorts) Message-ID: <5527@ucla-cs.ARPA> Date: Sat, 18-May-85 20:29:22 EDT Article-I.D.: ucla-cs.5527 Posted: Sat May 18 20:29:22 1985 Date-Received: Wed, 22-May-85 01:37:52 EDT References: <510@umd5.UUCP> Reply-To: reiher@ucla-cs.UUCP (Peter Reiher) Distribution: net Organization: UCLA Computer Science Department Lines: 22 In article <510@umd5.UUCP> jay@umd5.UUCP writes: >Briefly, the >post-World War II French, who had not been able to see American films during >the war, invented this term for a type of Hollywood film that had not >been in existence prior to the war. It should be noted that the French recognized this genre well. Films very much of the film noir mold were extremely popular in France in the 1930s. "Scarlet Street", for instance, is a remake of Renoir's "Le Chienne". "Port of Shadows" and "Pepe Le Moko" are just a couple of examples of French film noir of this period. In fact, Jean Gabin was probably the first great male film noir star, paving the way for Robert Mitchum and John Garfield. As far as semantic roots go, I'm not sure when the term was coined, but it was derived from "roman noir", or "black novel", which term was used to describe British Gothic novels of the 18th and 19th century. -- Peter Reiher reiher@ucla-cs.arpa soon to be reiher@LOCUS.UCLA.EDA {...ihnp4,ucbvax,sdcrdcf}!ucla-cs!reiher