Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site dciem.UUCP Path: utzoo!dciem!jeff From: jeff@dciem.UUCP (Jeff Richardson) Newsgroups: net.music Subject: Re: China Crisis CD Message-ID: <1542@dciem.UUCP> Date: Mon, 13-May-85 13:01:56 EDT Article-I.D.: dciem.1542 Posted: Mon May 13 13:01:56 1985 Date-Received: Mon, 13-May-85 13:21:18 EDT References: Reply-To: jeff@dciem.UUCP ( Richardson) Organization: D.C.I.E.M., Toronto, Canada Lines: 48 Summary: I think I have some useful comments to add to Mark Mallett's article on China Crisis, for anyone who may be interested in the group. My first exposure to China Crisis was in early 1983 when I heard an album playing in a local record store. I was interested enough to stay in the store for most of the album, which was "Difficult Shapes And Passive Rhythms", subtitled "Some People Think It's Fun To Entertain", a British import released in 1982 with a black cover. It was mostly quiet, mellow, easy listening stuff, not in the Lionel Richie or Barry Manhole sense but more like recent Roxy Music, Thomas Dolby's "The Flat Earth", or Dire Straits' "Love Over Gold", but with more of a "new wave" touch. I also remembered liking one side (probably side 1) much more than the other. Anyway, the album was only available as an import for $15, so I waited to see if it would come out domestically. I was still waiting in early 1984 when the first Canadian release came out, the EP Mark spoke of with the extended version of "Working With Fire And Steel" and the two excellent, very mellow instrumentals. I didn't buy it at the time because I figured the new album ("Working With Fire And Steel - Possible Pop Songs Volume 2") might be available soon, since it had apparently been availble as an import for a few months (though I had never seen it) and was getting increasing airplay. I was right and a month or two later the album was released domestically, so I rushed out and bought it. I thought it was a great album, but it was a little more upbeat and pop sounding than what I could remember of "Difficult Shapes...", and not quite as good as the best side of the older import album. It became increasingly difficult to resist the temptation to buy their first album, especially since I became familiar with one of the more upbeat and one of the better songs on the album, "African And White", which was getting a lot of airplay in the spring and summer. I managed to hold out until the fall of 1984, when it was finally released domestically. At first I was disappointed with it. It didn't seem nearly as good as what I remembered, and I couldn't even figure out which was the side I liked. But after several plays I can now say that it was even better than I remebered because now I think both sides are great. I was right about it being less upbeat and pop sounding than the second album too. I finally picked up the EP in a cut-out bin in December. Since then they have released a 12" single called "Black Man Ray", and a new album (which contains "Black Man Ray") that I saw for the first time on Saturday. I can't remember what it's called, but it's got a blue cover and it's produced by Walter Becker of Steely Dan fame. Hopefully my fiancee will have time to buy it for me today. -- Jeff Richardson, DCIEM, Toronto (416) 635-2073 {linus,ihnp4,uw-beaver,floyd}!utcsrgv!dciem!jeff {allegra,ihnp4,linus,decvax}!utzoo!dciem!jeff