Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: $Revision: 1.6.2.16 $; site pbear.UUCP Path: utzoo!linus!philabs!cmcl2!seismo!harvard!talcott!panda!genrad!mit-eddie!think!pbear!peterb From: peterb@pbear.UUCP Newsgroups: net.music.synth Subject: Re: Synth Bands Message-ID: <5400008@pbear.UUCP> Date: Mon, 13-May-85 11:24:00 EDT Article-I.D.: pbear.5400008 Posted: Mon May 13 11:24:00 1985 Date-Received: Thu, 16-May-85 07:23:59 EDT References: <597@teddy.UUCP> Lines: 26 Nf-ID: #R:teddy:-59700:pbear:5400008:000:1134 Nf-From: pbear!peterb May 13 11:24:00 1985 I don't think "synth-band" would include artists such as Isao Tomita of Japan or Jean Michelle Jarre' of France, but these two produce music on oppisite scales that really tax the implementation of most synths. Tomita has "electrisized" many classical works (such as the Debussy suites, Ravel's Bolero, Holste's Planets, Mussorgsky's Pictures at an Exhibition and others) by using his synths to create an "enhanced" version of natural instruments. He has created sounds that cover the whole ochestra, choral, and some effects. He has put out about 7 albums in the last 9 years or so. If you get a chance, listen to them. Jarre likes to experiment with a fussive jazz style. He uses powerful bass lines and then adds layer upon layer of sound on top of the bass line. Back in 76, one of his songs gained popularity on the FM radio. It was part 4 of his Oxygene LP. Jarre's music is more like a mood music. I use it a lot as a backgound filler when I have a lot of work to do or need to concentrate. Jarre is on the Dreyfuss label, while Tomita is on RCA Red Seal. Enjoy.... Peter Barada {ihnp4!inmet | harvard!ima}!pbear!peterb