Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site rtech.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!vax135!cornell!uw-beaver!tektronix!zehntel!dual!unisoft!mtxinu!rtech!brad From: brad@rtech.ARPA (Brad Bulger) Newsgroups: net.video Subject: Re: Why are prerecorded tapes so ?!$# expensive ? Message-ID: <380@rtech.ARPA> Date: Sat, 11-May-85 22:14:41 EDT Article-I.D.: rtech.380 Posted: Sat May 11 22:14:41 1985 Date-Received: Tue, 14-May-85 23:48:40 EDT References: <5260@cbscc.UUCP> Organization: Relational Technology, Berkeley CA Lines: 23 > Why are prerecorded tapes (specifically movies) so expensive? > It seems to me (and friends I've talked to) that by keeping their > price high, piracy is encouraged. More money could be made by > selling more tapes at lower prices than a few tapes at high prices, > thats just elementary economics. The primary reason that prerecorded tapes are (for the moment) so expensive is that for most of the releases, the sales are made to rental club operators. Each sale represents the equivalent of 10 - 20 rentals. Call it an eventual audience of 40 people. I don't know what portion of a movie ticket goes to the studios, but if you figure they get at least $2 out of a $5.50 ticket, that's $80 they'd be making from those 40 people under "normal" conditions. Of course, the reason the only people who buy movies are rental clubs is that the movies are too expensive... I think the studios are holding out for a revision in the first sale law - something that would give them a cut of rental proceeds. Then prices would go down as rental fees went up (to preserve the clubs' margins). It would be more attractive to buy then, which cuts down the "lost" revenue per tape on average, PLUS they'd get a cut of the rentals anyway.