Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/5/84; site terak.UUCP Path: utzoo!linus!philabs!cmcl2!seismo!hao!noao!terak!doug From: doug@terak.UUCP (Doug Pardee) Newsgroups: net.video Subject: Re: Why are prerecorded tapes so ?!$# expensive ? Message-ID: <558@terak.UUCP> Date: Thu, 16-May-85 12:40:24 EDT Article-I.D.: terak.558 Posted: Thu May 16 12:40:24 1985 Date-Received: Sun, 19-May-85 05:05:13 EDT References: <5260@cbscc.UUCP> <380@rtech.ARPA> Organization: Terak Corporation, Scottsdale, AZ, USA Lines: 24 > The primary reason that prerecorded tapes are (for the moment) > so expensive is that for most of the releases, the sales are made > to rental club operators. Each sale represents the equivalent of > 10 - 20 rentals. Call it an eventual audience of 40 people. I > don't know what portion of a movie ticket goes to the studios, > but if you figure they get at least $2 out of a $5.50 ticket, that's > $80 they'd be making from those 40 people under "normal" conditions. Although I'd believe that the studios think this way, it isn't the way that things are. The reason that I don't go to the movies much is not because I can rent the same movie next year for less. I wouldn't go even if I could never see the movie anywhere else. If the studios want to get me back into the theaters, they've got their work cut out for them. They're going to have to start making movies that I want to see, charging prices that are appropriate (for a really good movie, current prices are okay), and cleaning up the act at the theater. They're kidding themselves if they really believe that rentals are responsible for box-office drain. -- Doug Pardee -- Terak Corp. -- !{ihnp4,seismo,decvax}!noao!terak!doug ^^^^^--- soon to be CalComp