Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site lcuxc.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!pyuxww!lcuxc!wjm From: wjm@lcuxc.UUCP (B. Mitchell) Newsgroups: net.audio Subject: Re: Digital Remastering Message-ID: <356@lcuxc.UUCP> Date: Wed, 22-May-85 15:05:49 EDT Article-I.D.: lcuxc.356 Posted: Wed May 22 15:05:49 1985 Date-Received: Thu, 23-May-85 04:37:12 EDT Organization: Bell Communications Research, Inc. Lines: 18 Digital Remastering is, at best, a necessary evil, and at worse another case of major record company hype. It is necessary to produce a CD version of an older (classic) recording that was not recorded digitally. However, now one even sees "Digitally Remastered" re-releases of classic analog performances on LP! Somehow, I fail to see how taking an analog master tape, digitizing it, and then re-converting the digitized version to analog to cut an LP master will produce higher quality results than a careful transfer to LP of the original analog master tape (like those done by Mobile Fidelity) - and they then have the gall to charge digital prices for the results! (I can see a case for digitizing if one is going to do some signal processing, but that should be done with extreme care, if at all!) What digital remastering does, is take the analog master tape, digitize it, perhaps re-mix it, and produce a digital version. This is then either copied onto CD's or converted back into analog form to produce LPs and/or analog tapes (cassettes or open-reel). Regards, Bill Mitchell ({ihnp4!}lcuxc!wjm)