Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/17/84; site mhuxr.UUCP Path: utzoo!watmath!clyde!cbosgd!ihnp4!mhuxn!mhuxr!mfs From: mfs@mhuxr.UUCP (SIMON) Newsgroups: net.music Subject: Re: Musical Analysis Message-ID: <325@mhuxr.UUCP> Date: Tue, 21-May-85 19:09:12 EDT Article-I.D.: mhuxr.325 Posted: Tue May 21 19:09:12 1985 Date-Received: Thu, 23-May-85 01:26:05 EDT References: <122@whuts.UUCP> Organization: AT&T Bell Laboratories, Murray Hill Lines: 11 > To Jay Elkins Your point is well taken. Another aspect from the argument comes when you want to communicate your enthusiasm (or lack thereof) to someone else. How can you convey the essence of what pleases you ablut a piece without lapsing into incoherence? I agree that advanced degrees in the language of music are unnecessary. But it can help to zero in on the parts of the music that are most attractive and attempt to describe them. You instantly have "analysis." Marcel Simon