Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site pyuxd.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!pyuxww!pyuxd!rlr From: rlr@pyuxd.UUCP (Arthur Pewtey) Newsgroups: net.music,net.music.synth Subject: Re: Drum Machines - A Flame Message-ID: <996@pyuxd.UUCP> Date: Tue, 28-May-85 09:47:50 EDT Article-I.D.: pyuxd.996 Posted: Tue May 28 09:47:50 1985 Date-Received: Thu, 30-May-85 04:02:14 EDT References: <317@mhuxr.UUCP> <979@pyuxd.UUCP> <320@mhuxr.UUCP> <988@pyuxd.UUCP> <327@mhuxr.UUCP> <992@pyuxd.UUCP> <328@mhuxr.UUCP> Organization: The Chartered Accountants Who Want to Be Lion Tamers Association Lines: 9 Xref: watmath net.music:7705 net.music.synth:291 Your Max Roach example shows how humans produce "alive" (by YOUR standards) music. They fail to show WHY drum machines ipso facto produce "dead music". Your standards of "aliveness" seem based on notions of jazz improvisation being the prime factor in "aliveness" of music. Does this mean that classical (sic) music, with all its notes written out in advance, is necessarily dead? -- "Wait a minute. '*WE*' decided??? *MY* best interests????" Rich Rosen ihnp4!pyuxd!rlr