Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucla-cs.ARPA Path: utzoo!linus!decvax!genrad!panda!talcott!harvard!seismo!hao!hplabs!sdcrdcf!trwrb!trwrba!cepu!ucla-cs!reiher From: reiher@ucla-cs.UUCP Newsgroups: net.theater Subject: Re: Props update (keep those responses coming!) Message-ID: <5645@ucla-cs.ARPA> Date: Thu, 23-May-85 18:44:08 EDT Article-I.D.: ucla-cs.5645 Posted: Thu May 23 18:44:08 1985 Date-Received: Mon, 27-May-85 07:18:22 EDT References: <669@udenva.UUCP> Reply-To: reiher@ucla-cs.UUCP (Peter Reiher) Distribution: net Organization: UCLA Computer Science Department Lines: 22 In article <669@udenva.UUCP> showard@udenva.UUCP (showard) writes: > >PS While we're doing You Can't Take it With You, we're also wondering about >this: what's the (non-musical) play with the largest cast? Eugene O'Neill wrote some really strange plays during the 1920s, some of which required huge casts. In particular, I remember reading "Lazarus Laughed", which called for a cast in the neighborhood of 100, what with the pseudo-Greek chorus and all. What's more, some poor costumer had to provide masks for each and every cast member. I don't know if "Lazarus Laughed" ever was produced, but it certainly sounds expensive. It's not, unfortunately, very good. Many Shakespearean plays require very large casts, as well, even without the hoards of extras which add to the atmosphere. This is why doubling of actors in several parts is so popular in Shakespearean productions. I was in a production of "Macbeth" which had at least 25 speaking performers, many doing several parts. -- Peter Reiher reiher@ucla-cs.arpa soon to be reiher@LOCUS.UCLA.EDA {...ihnp4,ucbvax,sdcrdcf}!ucla-cs!reiher