Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucla-cs.ARPA Path: utzoo!linus!decvax!ittvax!dcdwest!sdcsvax!sdcrdcf!trwrb!trwrba!cepu!ucla-cs!reiher From: reiher@ucla-cs.UUCP Newsgroups: net.movies Subject: Re: GOONIES Message-ID: <6098@ucla-cs.ARPA> Date: Sat, 22-Jun-85 21:30:03 EDT Article-I.D.: ucla-cs.6098 Posted: Sat Jun 22 21:30:03 1985 Date-Received: Mon, 24-Jun-85 20:26:21 EDT References: <829@mtgzz.UUCP> <477@leadsv.UUCP> <860@mtgzz.UUCP> Reply-To: reiher@ucla-cs.UUCP (Peter Reiher) Organization: UCLA Computer Science Department Lines: 44 Summary: In article <860@mtgzz.UUCP> leeper@mtgzz.UUCP (m.r.leeper) writes: > >For most producers this would be true and, in fact, Spielberg probably >should be given more of the benefit of the doubt in my review, >particularly. I will point out that when Spielberg produces he doesn't >leave it at just producing. The case in point was POLTERGEIST. >Nominally he was the producer and screenwriter. Tobe Hooper was >nominally the director. There is a persistant rumor that Spielberg >threw out everything Hooper did and directed the film himself. Later >he implied to reporters that he had done that, Hooper complained and >for the record Spielberg retracted the statement. It is widely assumed >that the rumor is true, however. Even when Spielberg only produces, he >retains a very tight control and the film is more a product of the >producer's vision than of the director's. The way I heard it, Hooper really was the director, but Speilberg hung around the set almost constantly, offering "advice" which was not quite instructions on how things should be done, but came close. Hooper apparently isn't the most assertive of men, so lots of what Speilberg suggested was done. I also heard that Speilberg alone actually shot some, but far from all, of "Poltergeist". It's not always true that Speilberg production credits are actually his films. Consider "Used Cars" and "Fandango". Other than the rumor that Speilberg helped out with the kids, because Richard Donner wasn't very good at directing children, I haven't heard of substantive Speilberg influence on "The Goonies" (well, his original story credit, too). Donner is an established director who has one of the biggest box office hits of all time to his credit ("Superman"), so I doubt if he'd let even Steven Speilberg boss him around. Chris Columbus, the screenwriter for "The Goonies", has stated that, beyond the story, the screenplay is his, without any substantial interference/contributions from Speilberg. My own assessment of Speilberg's major influence on "The Goonies" is that he contributed the original idea and the whole project was made with an eye towards falling into line with the Speilberg way of doing things. Since the idea is good (the execution, alas, is poor), I'd say that the lion's share of the blame goes to Donner and Columbus, with Speilberg getting the bulk of whatever remains. -- Peter Reiher reiher@ucla-cs.arpa soon to be reiher@LOCUS.UCLA.EDU {...ihnp4,ucbvax,sdcrdcf}!ucla-cs!reiher