Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 alpha 4/15/85; site ucbvax.ARPA Path: utzoo!watmath!clyde!bonnie!akgua!whuxlm!whuxl!houxm!ihnp4!mhuxn!mhuxr!ulysses!ucbvax!mayfield From: mayfield@ucbvax.ARPA (Jim Mayfield) Newsgroups: net.music.gdead Subject: One thing to try Message-ID: <8402@ucbvax.ARPA> Date: Sat, 22-Jun-85 08:59:55 EDT Article-I.D.: ucbvax.8402 Posted: Sat Jun 22 08:59:55 1985 Date-Received: Sun, 23-Jun-85 03:16:01 EDT Organization: University of California at Berkeley Lines: 33 Keywords: If a man among you... So here's a topic for conversation. What's the most bizarre misinterpretation of lyrics you ever made? It seems like at every show, I discover that some verse is sung by the dead differently from how I sing it to myself. Here are my favorites: In "at a siding," in place of "for good or ill again" I would sing "for good old him again." "Beat it on down the line" used to start for me: "Well, it's John. My God!" "Sunrise"'s "He hums, there are drums" was always "He harms their underarms." And best of all: The song Pigpen used to sing on bones and roses, "Big ball of string." (You know, "Big ball of string, can't you hear me when I call..."). I say used to because these days he's singing a horse of a different color on that album. I noticed a few of these in the list of lyrics that was posted to the net a few months back. Here are two: Althea's "You may be a clown in the burying ground" was listed as "You may be a cloud in the varying crowd." In bertha, instead of "ducked into a bar door," it was "ducked into Novato." So swallow your pride and tell everybody about your own leonardo words. - jim (mayfield@berkeley)