Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version nyu B notes v1.5 12/10/84; site acf4.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!epsilon!zeta!sabre!bellcore!decvax!genrad!grkermi!panda!talcott!harvard!seismo!cmcl2!acf4!hkr4627 From: hkr4627@acf4.UUCP Newsgroups: net.rec.photo Subject: Re: Yashica Mat 124-G Message-ID: <2720038@acf4.UUCP> Date: Tue, 11-Jun-85 00:11:00 EDT Article-I.D.: acf4.2720038 Posted: Tue Jun 11 00:11:00 1985 Date-Received: Thu, 13-Jun-85 01:36:19 EDT References: <981@peora.UUCP> Organization: New York University Lines: 13 In principle, the 6x6 should offer more resolution than 35mm, but at least for color work, the sharpest films available are only made in 35mm (read Kodachrome 25). This probably has at least twice the resolution of Ektachrome 100. The 2 stop speed loss is compensated by the considerably faster optics of the 35mm format (f1.4 vs. f2.8). Therefore, I'd guess that in terms of resolution, the differences are probably small. For darkroom work, however, the 6x6 is better for contact prints and general handling. -r-