Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site aurora.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxn!ihnp4!qantel!hplabs!ames!aurora!al From: al@aurora.UUCP (Al Globus) Newsgroups: net.micro.mac,net.micro.apple Subject: Re: ConcertWare Plus Message-ID: <381@aurora.UUCP> Date: Thu, 1-Aug-85 14:51:40 EDT Article-I.D.: aurora.381 Posted: Thu Aug 1 14:51:40 1985 Date-Received: Sun, 4-Aug-85 08:29:11 EDT References: <533@aicchi.UUCP> Distribution: net Organization: NASA Ames Research Center, Mtn. View, CA Lines: 23 Xref: watmath net.micro.mac:2258 net.micro.apple:2061 > > I take nothing away from MusicWorks, but ConcertWare + has simply got the > others beat in the SOUND department. Without waxing (or perhaps only > trying to) eloquent about the many features in the program, let me simply > suggest that you go and hear it for yourself. If you like it fine. Maybe > like me you'll buy it. If not then consider me as a person with a tin > ear and let it go at that. But I think you'll be very pleasantly surprised. > Before becoming a computer jock I was a professional musician. I tried MusicWorks, ConcertWare+, and Professional Composer before buying ConcertWare+. ConcertWare+ is superior to MusicWorks in a number of ways besides sound, pieces can be longer, meter and key can change in the middle of a piece, many more meters are available, etc. Professional Composer is the most powerful system but it costs $500 and is in some ways inferior to ConcertWare+, particularly in user interaction. HOWEVER. None of these programs is really useful to a professional jazz or pop musician. You can't add chord changes, the sound should be a midi interface to a real instrument not these silly computer synthesizers that sound like a joke, ... I could go on for a while. Bottom line: I bought ConcertWare+ but it's for sale now.