Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site pucc-k Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxn!ihnp4!inuxc!pur-ee!CS-Mordred!Pucc-H:Pucc-I:Pucc-K:rsk From: rsk@pucc-k (Wombat) Newsgroups: net.music Subject: Re: Musical notation and Kate's use of Fairlight Message-ID: <1199@pucc-k> Date: Thu, 25-Jul-85 10:14:31 EDT Article-I.D.: pucc-k.1199 Posted: Thu Jul 25 10:14:31 1985 Date-Received: Sat, 27-Jul-85 01:42:51 EDT References: <4751@mit-eddie.UUCP> Reply-To: rsk@pucc-k.UUCP (Wombat) Distribution: net.music Organization: Purdue University Lines: 34 Keywords: Kate Bush, Sequencers, Fairlight Summary: In article <4751@mit-eddie.UUCP> nessus@mit-eddie.UUCP (Doug Alan) writes: (while talking about Kate Bush's possible use of a Fairlight) >I believe this for several reasons: (1) She doesn't read music well (2) >She's big on velocity-sensitive keyboards, and much of that aspect would >be lost (3) I'm sure I'd be able to hear the difference between music >generated by a sequencer given notation and that played by a good human >player on a velocity-sensitive keyboard. > >The other use for a sequencer would be to "record" a piece of Fairlight >music played on the keyboard, and then have that repeated over and over >again. I'm sure I'd notice that. Uh, actually, that's not quite true, since the sequencer records the notes as you play them; thus you don't need to know how to read music to use it...and sequencers on velocity-sensitive keyboards are usually able to store the velocity information along with the pitch, so that the playback is quite indistinguishable from the original. The design goals of most sequencers include generating playback that approximates as closely as possible the human performance; in the case of the Fairlight, I'd say they achieved this quite nicely. You'd probably notice the repetition of a sequenced piece only if the phrase was short; but some sequencers can store thousands of notes, and that'd be hard to catch. (I don't know the capacity of the Fairlight synth, but I'd guess it to be large) The superiority of the Fairlight stems from its sampling abilities, and its broad polyphonicity, along with its extensive computing capabilities. Net readers wishing to donate to the "Buy the Wombat a Fairlight, a Synclavier, and a Kurzweil" fund may contact me at... -- Rich Kulawiec rsk@{pur-ee,purdue}.uucp, rsk@purdue-asc.csnet rsk@purdue-asc.arpa or rsk@asc.purdue.edu