Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 4.3bsd-beta 6/6/85; site topaz.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!ihnp4!qantel!hplabs!pesnta!amd!amdcad!decwrl!decvax!genrad!panda!talcott!harvard!seismo!columbia!topaz!EVAN From: EVAN@SU-CSLI.ARPA Newsgroups: net.sf-lovers Subject: music in sf Message-ID: <2713@topaz.ARPA> Date: Sun, 14-Jul-85 17:06:32 EDT Article-I.D.: topaz.2713 Posted: Sun Jul 14 17:06:32 1985 Date-Received: Fri, 19-Jul-85 02:45:57 EDT Sender: daemon@topaz.ARPA Organization: Rutgers Univ., New Brunswick, N.J. Lines: 25 From: Evan Kirshenbaum >I concur. And as an attempt to come up with a gap-bridging >conversation-starter, can anyone think of interesting examples of >written SF in which music played a dominant theme? Stories that come to mind immediately include: McCaffrey's ``Harper Hall'' trilogy (Dragonsong, -singer, and -drums) McCaffrey's ``The Ship Who Sang'' Stories which use music, but not as a dominant theme, include: Adams' Life,_the_Universe,_and_Everything [The Disaster Area concert] C. Smith's ``Under Old Earth'' [The congohelium] Anthony's _Macroscope_ [Ivo's flute] Without refering to my collection, that's all I can think of offhand. McCaffrey's the only author I know of who really uses music as an important part of the story. Evan Kirshenbaum ARPA: evan@SU-CSLI.ARPA UUCP: ..ucbvax!shasta!amadeus!evan -------