Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site decwrl.UUCP Path: utzoo!watmath!clyde!burl!ulysses!ucbvax!decwrl!dec-rhea!dec-miles!chabot From: chabot@miles.DEC (Sxyzyskzyik) Newsgroups: net.sf-lovers Subject: Music in Science Fiction Message-ID: <3239@decwrl.UUCP> Date: Mon, 22-Jul-85 14:48:16 EDT Article-I.D.: decwrl.3239 Posted: Mon Jul 22 14:48:16 1985 Date-Received: Thu, 25-Jul-85 02:42:09 EDT Sender: daemon@decwrl.UUCP Organization: DEC Engineering Network Lines: 17 Ah, well, Jack Vance's Anome trilogy (the first volume has also been titled _The_Faceless_Man_; _The_Brave_Free_Men_; _The_Asutra_) has a musician (and even the son of a musician) as a protagnist, and in fact, not only has his life been shaped by his career and his origins, but his survival in the third volume depends upon his musical training. [Quiz for Vance fans is in my name above.] If we expand the topic to include fantasy, there's Patricia C. Wrede's _The_ Harp_of_Imach_Thyssel_. There are also songs of significance in Pamela C. Dean's _The_Secret_Country_, and there are these cardinals singing at interesting times. (birds, not bishops) Anne McCaffrey probably has a couple of science fiction books in which music plays an important part, based upon titles. Thomas Disch's _On_the_Wings_of_Song_. L S Chabot ...decwrl!dec-rhea!dec-amber!chabot chabot%amber.dec@decwrl.arpa