Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site gargoyle.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxn!ihnp4!gargoyle!carnes From: carnes@gargoyle.UUCP (Richard Carnes) Newsgroups: net.kids Subject: Re: How do I get my 6 yr old to practice piano Message-ID: <188@gargoyle.UUCP> Date: Fri, 13-Sep-85 20:32:23 EDT Article-I.D.: gargoyle.188 Posted: Fri Sep 13 20:32:23 1985 Date-Received: Sat, 14-Sep-85 17:26:53 EDT Reply-To: carnes@gargoyle.UUCP (Richard Carnes) Organization: U. of Chicago, Computer Science Dept. Lines: 43 Scott Brim's suggestions are very good. Here are some more: I think that a 6-year-old shouldn't be expected to practice for more than 15 minutes at the most at one sitting, and perhaps for no more than 10 minutes. Longer sessions tend to be experienced as imprisonment. You can increase the periods as they get older. There should be two or three regular practice sessions a day: you can start with 30 minutes a day total and work up to an hour, a good goal for children studying piano. The worst time to expect a kid to practice is right after he or she gets home from school. Practicing is very hard work, or should be, and requires concentration and energy. Put a snack (that won't destroy the instrument, e.g. raisins) on top of the piano so your kid can nibble. One of the main reasons that both children and adults often don't practice is that it is a lonely activity. You can help by being in the vicinity and making encouraging noises from time to time. Don't say, "You made a mistake -- play that over." Of course, it gets pretty frustrating to hear the same mistake 35 times in a row, but if you correct the child, make sure your kid doesn't feel put down and lose confidence in his ability to figure things out for himself. Ask the teacher's advice about how you should comment on the child's playing at home. If the teacher doesn't have any intelligent advice to offer about getting a kid to practice, then you should find another teacher. Sometimes people make the mistake of thinking that any old teacher is good enough for a beginner. But actually this is the most important stage, and an experienced and skillful teacher is well worth the extra money, as long as they know how to teach kids -- which is a very different matter from teaching college students. I was very fortunate in my first teacher, so that playing the piano is now second nature to me. There is a book that I like, *Your Child and the Piano* by Margaret Grant, so you might want to look for that. For a young child, be happy if he or she learns that music is enjoyable and rewarding -- that's the main goal at this stage. The great artists are the ones for whom music-making is a joyful activity and who couldn't live without music. Richard Carnes, ihnp4!gargoyle!carnes